Microflowers: 

We brought the hydrangea back into one of our tags, printing its neutral shades in four-color on recycled paper, the white Chagall, plus we added the semi-transparent tissue joining it with a beige ribbon thread.

 

Painting a white space where nothing is drawn: this is the most difficult task of painting.

(Ike no Taiga)

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Female Feather: 

A solution to be both elegant and eco-sustainable at the same time? Here it is, the composition of three cards. The main one is printed in four colors on white Chagall textured paper and the rest on a recycled paper called Avana, unique in its natural color. Finally, natural twine applied manually.

 

Painting a white space where nothing is drawn: this is the most difficult task of painting.

(Ike no Taiga)

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White Foam: 

Is composed of the main tag printed on Costellation Fiandra canvas paper with four-colour printing and in addition the secondary tag printed on Usumano paper to give more visual contrast, and finally, the white organza and the silver brooch applied manually.

 

Painting a white space where nothing is drawn: this is the most difficult task of painting.

(Ike no Taiga)

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The Soft Flower: 

Consists of a round tag to give a touch of particularity, printed on Ice Pearl ice white paper; below is the main tag which is printed on a special Constellation Martellata paper, the fabric information is printed on a classic and elegant paper, the Soporset, all this is joined by a black ribbon thread and a black pin applied by hand.

 

Painting a white space where nothing is drawn: this is the most difficult task of painting.

(Ike no Taiga)

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Splendor Shiny: 

It is structured in a particular way, there are two tags with different shapes to give a lot of contrast between them. The first is printed in color on a textured and elegant paper called Symcard and the second on Usumano, very classic, has a matte effect that enhances the importance of the first. Together they are joined with the gray satin bow and also with the gunmetal colored pin.

 

Painting a white space where nothing is drawn: this is the most difficult task of painting.

(Ike no Taiga)

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